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Category Archives: Theatremaking
Musical Theatre Sunday School: Divine Integration
There are three separate elements of divine integration in musical theatre: the book, the music and the lyrics. Continue reading
Posted in Musical Theatre Sunday School, Theatremaking, Theory and Practice
Tagged A Gentleman's Guide to Love and Murder, Fiddler on the Roof, Follies, George Gershwin, Gypsy, Ira Gershwin, Lady Be Good, Lorenz Hart, lyrics, Musical Theatre, musical theatre technique, Oh Kay!, Pal Joey, Richard Rodgers, South Pacific, Stephen Schwartz, The Wild Party, Wicked
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TITANIC: the Broadway Musical vs the Blockbuster Movie
In 1997, two different versions of the “Titanic” story were told in two different styles in two different mediums. The film a fictional love story set against the backdrop of the ill-fated ship of dreams, while the musical used the stories of the real life Titanic passengers as a basis for its tale.
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Dumbed Down Discourse: Challenges Facing Artists, Audiences and the Arts
Something’s been bubbling under for a long time. And IT has starting to erupt. IT started brewing a long time ago, and I’m only now realising what IT is… Continue reading
Posted in Commentary, Theatremaking, Theory and Practice
Tagged Carrie Underwood, critcs, criticism, Department of Education, dumbing down, excellence, hypocrites, ignorance, integrity, journalism, Lara Foot, Lara Foot Newton, marketing, Michael John LaChiusa, publicists, racism, sexism, social media platforms, standards, Stephen Sondheim, the rape question, The Sound of Music, Thsepang
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TITANIC vs RAGTIME…
Maury Yeston and Peter Stone’s TITANIC features one of the best musical theatre scores of the 1990s – but so does Terrence McNally, Lynn Ahrens and Stephen Flaherty’s RAGTIME. Continue reading
Posted in Commentary, Theatremaking
Tagged Annie Get Your Gun, Assassins, Audra McDonald, Bloomer Girl, Carousel, Floyd Colins, Floyd Collins, Les Misérables, Lynn Ahrens, Maury Yeston, Oklahoma!, Parade, Peter Stone, Ragtime, Stephen Flaherty, Sweeney Todd, Terrence McNally, The Phantom of the Opera, Titanic
1 Comment
EVITA: the “Montage”
Is the “Montage” that takes us from Eva’s final collapse through to her deathbed “Lament” is really a satisfying moment dramatically. Continue reading
Posted in Commentary, Theatremaking
Tagged Andrew Lloyd Webber, Angela Kilian, dramaturgy, Evita, Harold Prince, Jesus Christ Superstar, Tim Rice
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TITANIC Lyrics: Some Thoughts
Although I’m a fan of the show, Maury Yeston and Peter Stone’s TITANIC has its critics. One of the most common criticisms I’ve heard in regard to the show has to do with its lyrics. So I thought I’d give the cast album another listen with this particular focus at an entry point. Continue reading
Posted in Commentary, Theatremaking
Tagged Maury Yeston, Musicals, Peter Stone, Titanic
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Musical Comedy vs. Musical Play
Following my 2010 redux blog on “Genres of Musical Theatre“, I received a message from Hans Anders Elgvang, a regular visitor of this site, asking: ‘What are, in your opinion, the differences between the form categories musical comedy and musical … Continue reading
Posted in Commentary, Musicals, Theatremaking, Theory and Practice
Tagged Annie Get Your Gun, Anything Goes, Babes in Arms, Carousel, Crazy for You, Girl Crazy, Musical Comedy, Musical Plays, My Fair Lady, Oklahoma!, Ragtime, Silk Stockings, South Pacific, The King and I, Theatremaking, Theory and Practice, West Side Story
3 Comments
Genres of Musical Theatre Redux: the 2010 edition
In a discussion around different kinds of musical theatre, I think the first step is to define the terrain of musical theatre. Musical theatre does not include all theatre that uses music. Musical theatre excludes – for example – opera, … Continue reading
Posted in Commentary, Dance, Musicals, Plays, Revues, Theatremaking, Theory and Practice
Tagged Ballet, Bio-musicals, Burlesque, Concept Musical, Dance, Dramatic, Epic, Funny Girl, Gypsy, Jesus Christ Superstar, Jukebox Musicals, Lyric, Mamma Mia!, megamusical, Minimalist Theatre, Musical Comedy, Musical Play, Musicals, Opera, Operetta, Plays, Revues, Rock Opera, Theatremaking, Theory and Practice, Vaudeville
3 Comments
Defending Theory and Practice
Every now and then, I’ll get a nasty little message implying that discussions around musical theatre practice, debates around musical theatre terminology and so on are petty and worthless. Let me go on record saying that I do not think … Continue reading
Posted in Musicals, Theatremaking, Theory and Practice
Tagged Musicals, Theatremaking, Theory and Practice
6 Comments
The “Happy Birthday, MISS SAIGON” Quiz
Today in 1989, Miss Saigon had its world premiere in London. Here’s a little quiz to celebrate. Continue reading →