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Category Archives: Theatremaking
“Original” Musicals
As musicals based on movies become more and more frequently produced, discussions on musical theatre forums around the Internet regarding the lack of “original” Musicals” seem to become more and more prominent. Most people seem to forget, however, that truly … Continue reading
Posted in Broadway, Musicals, Theatremaking, Theory and Practice
Tagged Musicals, Shrek, Theatremaking, Theory and Practice
1 Comment
So what exactly is wrong with AIDA?
Aida is one of those musicals that it seems has a strong fan following, but one which also attracts a great deal of criticism in regard to both its book and score. I’ve looked at the show on this blog … Continue reading
Posted in Broadway, Commentary, Disney, Musicals, Theatremaking, Theory and Practice
Tagged Aida, David Henry Hwang, Disney, Disney Theatricals, Linda Woolverton, Robert Falls, Tim Rice
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O/T: THE MIRACLE WORKER Controversy
While this topic isn’t specifically related to musical theatre, I think it does have ramifications for theatre in general and is thus worth reflection. The casting of Abigail Breslin in The Miracle Worker has sparked a huge controversy, upsetting advocates … Continue reading
BYE BYE BIRDIE: Changes in the Revival
Playbill has a new article about the revival and how the director-choreographer Robert Longbottom will honour the original show while giving it a new spin. This is a bit quotation heavy, I know, but it’s interesting stuff: Kenneth Jones wrote: … Continue reading
Posted in Broadway, Musicals, Theatremaking
Tagged Abby Lane, Allie Trimm, Ann-Margret, Bye Bye Birdie, Charles Strouse, David Chase, Ed Sullican, Gower Champion, Jayne Houdyshell, Lee Adams, Matt Doyle, Oscar Hammersteinn II, Revisals, Robert Longbottom, Roundabout, Stephen Sondheim, Susan Watson
9 Comments
Theatre Reads
I’m busy reading two books on musicals at the same time: Show Boat: the Story of a Classic American Musical and Everything Was Possible: the Birth of the Musical Follies. Both are brilliant and I hope that everyone who visits … Continue reading
Posted in Broadway, Musicals, Theatremaking
Tagged Books, Broadway, Follies, Musicals, Show Boat, Theatremaking
1 Comment
Crazy Concepts for Classic Shows: BEAUTY AND THE BEAST
Every now and again one comes across a “crazy concept” that is used to bring new life into a classic show. Such concepts are not necessarily ‘crazy’; they are merely unconventional. I stumbled across this one on Musicals Dot Net, … Continue reading
Posted in Crazy Concepts, Musicals, Theatremaking
Tagged Beauty and the Beast, Crazy Concepts, Disney, The Wizard of Oz, Theatremaking
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SPRING AWAKENING: the Musical
The play upon which the musical adaptation of Spring Awakening is based was written by Frank Wedekind in 1891. The first performance of the play was in 1906 and the first English performance of the play was in 1917. Since … Continue reading
SPRING AWAKENING and “The Song(s) of Purple Summer”
With the Broadway transfer of Duncan Sheik and Steven Sater’s SPRING AWAKENING having opened last weekend and the cast recording having been released earlier in the week, now seems an apt time to have a look at some of the changes that have been made in the show between its Off-Broadway run in August and now. Continue reading
O/T: Brecht and Didactic Theatre
I was recently reading a rather mundane series of posts around the issue of adaptation at Musicals.net, which then delved into the realm of Bertolt Brecht and his vision of theatre. Here’s the bit that I found interesting: Hans wrote: … Continue reading →