More HAIRSPRAY 2 News

HAIRSPRAY

HAIRSPRAY

Marc Shaiman was interviewed on MTV and spilled some new details about Hairspray 2, the movie musical sequel to Hairspray that is aiming for a July 2010 release:

Scott (Wittman) and I are certainly on board. John Waters wrote a treatment that is so f-king hysterical! People hate Tracy because she doesn’t lose weight. They ask ‘Now that you’re famous, why won’t you lose weight?’. And Link experiments with drugs. Throughout half the movie, he has an ongoing dialogue with three pimples on his forehead. Edna loses weight, but sees her husband lusting after fat women. And so, she finally breaks down and runs over to a snack table. Just within one number, she gets fat again; gaining 20 pounds at a time. It pops out, and by the end of the song she’s completely at her old weight again.

Sounds… interesting….

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New Engagements for DADDY LONG LEGS

Daddy Long Legs, it’s premiere at the Rubicon over, has set dates for a second and third run at TheatreWorks’ Mountain View Center for the Performing Arts (23 January – 14 February 2010) and the Cincinnati Playhouse (13 March 13 – 10 April 2010) respectively. This modest and apparently charming two-hander musical by John Caird and Paul Gordon (adapted from the beloved Jean Webster novel) is growing legs of its own!

Purchases from Amazon.com

FROM LEFT TO RIGHT:
1. Daddy Long Legs Novel by Jean Webster.
2. Daddy Long Legs DVD of the film adaptation.

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Fela Anikulapo Kuti Biopic

A film version of Fela Anikulapo Kuti’s life story is being made by Focus Features. Strangely enough (or not), it is unrelated to the musical currently playing Broadway and will be adapted from Fela: The Life and Times of an African Musical Icon by Michael Veal with Steve McQueen signed on as director.

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Angela Lansbury interviewed by Katie Couric

Here’s a lovely interview with Angela Lansbury courtesy of CBS Sunday Morning: Angela Lansbury, Back on Broadway. From the article:

Couric: Do you ever feel like, ‘Gee, I’ve had an amazing career. I’ve worked my tail off. I’m ready to relax a little?’

Lansbury: The bottom line is, I really don’t know how to relax to the degree that I could just stop. So when something comes along and is presented to me, and I think, ‘Gee, I could have some fun doing that,’ or ‘I think I could bring something to that,’ I’ll do it…. I’d like to do one great movie before I pass along the way. I don’t know what it’ll be. But I think there’s one out there somewhere.

Enjoy the rest by following the link. It’s a lovely interview from one of the greatest musical theatre actresses of all time.

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FELA! Performance Cancelled

Tonight’s performance of Fela! was canceled due to multiple injuries in the cast! The show is dance heavy, but I had no idea that it could cause such a number of serious injuries, so many that it was unfeasible to go on with understudies and swings in place. Best wishes to all in the hope that heal up well!

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LEGALLY BLONDE in the West End

Previews for Legally Blonde start today, prior to an opening is in January.

Ages ago a promotional video of the number “So Much Better” was released on the official site:

In spite of being a little cheap and tacky, it’s a lot of fun, although Sheridan Smith, who’s playing Elle, looks like she’s been for a few too many rounds on the tanning bed and like she’s using a truckload of makeup to cover it up. Still, I guess that would matter less on stage and she sounded fine.

But more recently, the show performed on the “Children in Need” broadcast and it was terrible:

The bottom line, I suppose, is that the cast was not ready for a performance like this at that time. Smith and her fellow principle, Duncan James are both incredibly disappointing and it seems like that almost anyone in the chorus could turn in a better performance than they did. In this clip, Smith really looks too old for the role and she sounded terrible. I hope she has less of an issue with pitch in the theatre than she did in this live performance; please let there have been some kind of monitor problem that left her singing without being able to hear the music properly. Otherwise, Legally Blonde – which rests a lot on Elle’s shoulders – is not going to get the reception it wants come January.

Meanwhile, Playbill has up a gallery of production photographs for the show. Here’s just one:

Legally Blonde

Check out the full gallery by clicking the link above. It looks like such fun. The clips above notwithstanding, I’d be there in a heartbeat.

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Catherine Zeta-Jones: NIGHT MUSIC Stage Door

A short clip of Catherine Zeta-Jones at the stage door of A Little Night Music:

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PROMISES, PROMISES Poster

Courtesy of BroadwayWorld, we have a poster:

Promises, Promises Poster

Looks cool! I like it.

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Catherine Zeta-Jones in THE NEW YORK TIMES

There’s an entertaining interview with Catherine Zeta-Jones about the revival of A Little Night Music in The New York Times today: Send in the Song-and-Dance Gal. Here’s some of what Zeta-Jones has to say about the show:

There’s no jazzy hands, no high kicks, no fishnet stockings, but really that’s what excited me. With most musicals you have to fill in the gaps, but here you have what’s already a beautiful Chekhovian play, and the music is a bonus. The characterization is everything. It’s not one of those shows where you can dig about three inches and come out the other end. You can keep digging and digging and digging.

Also interesting is the section of the article in which Nunn justifies casting a younger Desiree in line with the film that inspired the musical, Smiles of a Summer Night. Enjoy it!

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First Look at A LITTLE NIGHT MUSIC

People has a first look of Catherine Zeta-Jones as Desiree:

Catherine Zeta-Jones

All right, haters, so she looks younger than Glynis Johns – but she does not look 18 either and one part of the approach to this revival is to pitch the characters’ ages in line with Smiles of a Summer Night. Eva Dahlbeck was 35 when she played the role in that film. Zeta-Jones is 40. They look absolutely comparable in terms of their “hit”. I’ve never heard anyone complaining about Dahlbeck and we’ve already been down this road before when Trevor Nunn’s production played London, where ultimately the idea seems to have worked just fine. And word of mouth at this point in time is that she’s good in the role, good enough to offer Christiane Noll, the obvious Best Actress candidate from Ragtime come Tony time, some stiff competition.

So have we got that out of they way? Good.

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