Annie
Tomorrow’s promise:
Little girls on Easy Street,
Maybe a New Deal.
Want to write your own Annie haiku? Head to the comment box and give it a try!
Annie
Tomorrow’s promise:
Little girls on Easy Street,
Maybe a New Deal.
Want to write your own Annie haiku? Head to the comment box and give it a try!
Ballroom
One lonely widow,
A terrific band, nice crowd –
One man disappoints…
Want to write your own Ballroom haiku? Head to the comment box and give it a try!
August is Musical Theatre Haiku Month at Musical Cyberspace. By the end of the month, I will have posted 31 haikus about 31 different musicals. Hope you enjoy them, dear reader, and if you find yourself similarly inspired, head to the comment box and post your own haiku for each day’s musical!
Jesus Christ Superstar
Know how to love (H)im:
[De]construct, don’t crucify!
Jesus is “the man”…
Want to write your own Jesus Christ Superstar haiku? Head to the comment box and give it a try!
American television, film and stage actor Tom Aldredge has passed away from lymphoma at the age of 83. A wildly prolific actor, he will always be remembered by musical theatre fans for originating the roles of the Narrator and Mysterious Man in Into the Woods and of Doctor Tambourri in Passion. His death comes only six months after that of his wife, the famed costume designer, Theoni V. Aldredge.
Rest in peace.
In the latest edition of The Village Voice, Michael Musto listed his top 5 Sondheim rhymes – check out the link for his reasons:
1. “When a person’s personality is personable / He shouldn’t oughta sit like a lump / It’s harder than matador coercin’ a bull / To try to get you off of your rump.” – Company
2. “Putting thoughts of you aside in the South of France / Would I think of suicide? Darling, shall we dance?” – Follies
3. “Another chance to disapprove / Another brilliant zinger / Another reason not to move / Another vodka stinger / Aaaaaaaahhhh! I’ll drink to that.” – Company
4. “This is how Samson was shorn / Each in her style a Delilah reborn.” – Follies
5. “The hands on the clock turn, but don’t sing a nocturne just yet.” – A Little Night Music
So what are yours, and why? I might have to think about this for a while before I select mine…
Miranda is a super wordsmith and I’ve enjoyed a great deal of his work, admiring particularly his work on the revival of WEST SIDE STORY, which must have been a pretty thankless job given the hostile stance so many took to Arthur Laurents’s idea of translating certain of the Stephen Sondheim-Leonard Bernstein songs in that score into Spanish. I guess he has to do something now that the In the Heights film has been canned. Of course, he still has Bring it On going. That show ran in January and a tour begins in November. If there are revisions happening there, I guess that’s what he’s busy with at the moment. I hope he manages to keep his momentum going. I would hate to see him go the way of Meredith Willson.
Anyway, I wonder how this will work given that the show upon which the pilot is based relies on interaction with the audience. Will it be like a live hip-hop version of Whose Line is it Anyway? with a live studio audience?
Thoughts?