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Author Archives: David Fick
Amra Faye Wright in Broadway’s CHICAGO
2006 will see Amra Faye Wright take over as Velma in Chicago for a stint of three months, starting 16 January 2007. Wright, who has performed the role in the South African production of the show, has also starred in … Continue reading
Posted in Broadway, General News, International, Musicals
Tagged A Chorus Line, Amra Faye Wright, Chicago, Footloose, Grease, Robin Givens
6 Comments
RENT Rant: Cut Numbers and Spoken Lyrics
On stage, RENT was a rock opera. It’s unquestionable that it is one: the story is told primarily through a series of episodic and eclectic musical numbers that are grounded in the idiom of popular music. On film, RENT looks … Continue reading
Posted in Commentary, Movies, Musicals, Theatremaking, Theory and Practice
Tagged Commentary, Movies, Musical Play, Musicals, RENT, Rock Opera, Theatremaking, Theory and Practice
11 Comments
Pop Idol’s Darius in CHICAGO
Tonight is Pop Idol contestant Darius Danesh’s first official night as Billy Flynn in the West End production of Chicago. No one I’ve spoken to this that the casting is a brilliant idea, although more seem to say it might … Continue reading
CHICAGO in London and Ute Lemper as Velma
Thought for the day: This is probably a rather unpopular opinion but I really do not like the London Revival Cast Recording of Chicago much at all. For me, there is just something missing. I don’t find it particularly entertaining. … Continue reading
Posted in Cast Recording Reviews, Commentary, Musicals, West End
Tagged Bob Fosse, Chicago, Fosse, Musicals, Royal Variety Performance, Ruthie Henshall, Ute Lemper, West End
10 Comments
Belle in BEAUTY AND THE BEAST
Beauty and the Beast is a show that is a hot property for community theatres around the United States right now. One of the most frequent questions asked by aspiring Belles seems to be this: is it more important for … Continue reading
Posted in Disney, Musicals, Theatremaking
Tagged Beauty and the Beast, Casting, Commentary, Disney, Theatremaking
1 Comment
STARLIGHT EXPRESS: Perfect for Animation?
Don’t you think that Starlight Express would work brilliantly as a CGI film? I think it’s possibly the only way to imagine an effective film adaptation of the show, especially if it was produced by a company like PIXAR who … Continue reading
Posted in Animation, Broadway, Movies, Musicals
Tagged Animation, Cats, Finding Nemo, Movies, Musicals, Pixar, Starlight Express
7 Comments
Michael John LaChiusa and the “Faux Musical”
Opera News published a super article by Michael John Lachiusa about the state of musical theatre. Entitled “The Great Grey Way”, the article is essential reading for anyone interested in musicals and how they are developing in this new century. … Continue reading
Posted in Broadway, Commentary, Dance, Musicals, Theatremaking, Theory and Practice
Tagged ABBA, Adam Guettel, Avenue Q, Beach Boys, Ben Brantley, Billy Joel, Broadway: The American Musical, Brooklyn, Caroline or Change, Contact, Dance of the Vampires, Dirty Rotten Scoundrels, Dracula, Elton John, Ever After, George C. Wolfe, Good Vibrations, Hairspray, Jeanine Tesori, John Weidman, Jonathan Larson, Jule Styne, Little Women, Mamma Mia!, Michael John LaChiusa, Movin’ Out, Of Thee I Sing, Plato, Polly Pen, RENT, simulacra, Spamalot, Sunday in the Park With George, Susan Stroman, Sweeney Todd, The Happiest Corpse I’ve Ever Seen, The Light in the Piazza, The Lion King, The Phantom of the Opera, The Producers, The Sopranos, Tony Kushner, Twyla Tharp, Urinetown, West Side Story, Wicked
90 Comments
SWEENEY TODD on DVD: the Show or the Concert?
The question is simple: which of the two DVD versions of Stephen Sondheim’s Sweeney Todd do you like better: the fully staged version with George Hearn and Angela Lansbury or the concert version with Hearn and Patti LuPone? For me, … Continue reading
Posted in Broadway, Concerts, Musicals
Tagged Angela Lansbury, DVD, George Hearn, Patti LuPone, Stephen Sondheim, Sweeney Todd
15 Comments
RENT Rant: Living and Dying Hollywood-style
The film adaptation of RENT certainly has its flaws, none more offensive than that which it inherited from its source material: the death of homosexual transvestite Angel and the miraculous survival of Mimi because of the endurance of “straight” love. … Continue reading →