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Author Archives: David Fick
RAPUNZEL is now TANGLED…
Disney’s Rapunzel has been retitled Tangled due to Disney’s belief that the title of The Princess and the Frog deterred young boys from seeing the film preventing that film from performing as well as they hoped it would at the … Continue reading
“Showtunes” – an all-encompassing term?
A recent discussion on Musicals.net that debated the terminology that could be used to classify songs from musicals caught my attention. Thinking about it carefully, I realised that I do not feel that “Broadway” or “showtune” function well as an … Continue reading
Posted in Broadway, International, Musicals, Theory and Practice, West End
Tagged Anyone Can Whistle, Aspects of Love, Broadway, Funny Girl, Hello Dolly!, Musicals, Passion, Theory and Practice
3 Comments
Defending Theory and Practice
Every now and then, I’ll get a nasty little message implying that discussions around musical theatre practice, debates around musical theatre terminology and so on are petty and worthless. Let me go on record saying that I do not think … Continue reading
Posted in Musicals, Theatremaking, Theory and Practice
Tagged Musicals, Theatremaking, Theory and Practice
6 Comments
O/T: Your First CD?
How’s this for a bit of fun? What were your first CD’s? Bonus points if they are musical theatre related! My first CD’s were Mango Groove’s self-titled first album and the soundtrack of Beauty and the Beast. I still have … Continue reading
Posted in Off Topic, Showtune Albums
Tagged Beauty and the Beast, CDs, Mango Groove, music
5 Comments
Rhyme in Musical Theatre Lyrics
Here is an interesting question that I’d like people to consider: why do we expect musical theatre to make use of pure rhyme or celebrate lyrics that are crafted using pure rhyme more readily than those that employ other kinds … Continue reading
Posted in Musicals, Theory and Practice
Tagged Musical Theatre Practice, Musicals, Theatremaking, Theory and Practice
8 Comments
O/T: Brecht and Didactic Theatre
I was recently reading a rather mundane series of posts around the issue of adaptation at Musicals.net, which then delved into the realm of Bertolt Brecht and his vision of theatre. Here’s the bit that I found interesting: Hans wrote: … Continue reading
Posted in Commentary, Off Topic, Plays, Theatremaking, Theory and Practice
Tagged A Clockwork Orange, A Doll's House, Adaptations, Bertolt Brecht, Commentary, Epic Theatre, Mother Courage and her Children, Plays, The Caucasian Chalk Circle, The Lord of the Rings, Theatremaking, Theory and Practice
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Thoughts on THE BOYS IN THE PHOTOGRAPH
I went to see the 14:00 show Ben Elton and Andrew Lloyd Webber’s The Boys in the Photograph today. What follows are my thoughts on the show, a revised version of the 2000 musical The Beautiful Game. I shall also … Continue reading
Posted in Commentary, In Depth Analysis, International, Musicals
Tagged Andrew Lloyd Webber, Aspects of Love, Ben Elton, Carly Graeme, Carousel, Celeste Botha, Gareth Worth, Janice Honeyman, Johan Engels, Oscar Hammerstein II, Richard Rodgers, Tammi Meyer, The Beautiful Game, The Boys in the Photograph, Whistle Down the Wind
2 Comments
“Original” Musicals
As musicals based on movies become more and more frequently produced, discussions on musical theatre forums around the Internet regarding the lack of “original” Musicals” seem to become more and more prominent. Most people seem to forget, however, that truly … Continue reading
Posted in Broadway, Musicals, Theatremaking, Theory and Practice
Tagged Musicals, Shrek, Theatremaking, Theory and Practice
1 Comment
Genres of Musical Theatre Redux: the 2010 edition
In a discussion around different kinds of musical theatre, I think the first step is to define the terrain of musical theatre. Musical theatre does not include all theatre that uses music. Musical theatre excludes – for example – opera, … Continue reading →