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Tag Archives: Musicals
Crazy Concepts for Classic Shows: the Sondheim Edition
Sometimes “crazy concepts” – ideas that attempt to breathe new life in to classic musicals – make it all the way into production. Although some of these concepts are not necessarily “crazy”, but merely unconventional, here are a couple done … Continue reading
Posted in Uncategorized
Tagged Company, Crazy Concepts, Merrily We Roll Along, Musicals, Stephen Sondheim
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Crazy Concepts for Classic Shows: THE PHANTOM OF THE OPERA
Here’s another of those “crazy concepts” proposing to bring new life to a classic show. Such concepts are not necessarily ‘crazy’; they are merely unconventional: you can decide which this is and I’ve offered my opinion on the matter too. … Continue reading
Posted in Crazy Concepts, Musicals
Tagged Crazy Concepts, Musicals, The Phantom of the Opera
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RAPUNZEL is now TANGLED…
Disney’s Rapunzel has been retitled Tangled due to Disney’s belief that the title of The Princess and the Frog deterred young boys from seeing the film preventing that film from performing as well as they hoped it would at the … Continue reading
“Showtunes” – an all-encompassing term?
A recent discussion on Musicals.net that debated the terminology that could be used to classify songs from musicals caught my attention. Thinking about it carefully, I realised that I do not feel that “Broadway” or “showtune” function well as an … Continue reading
Posted in Broadway, International, Musicals, Theory and Practice, West End
Tagged Anyone Can Whistle, Aspects of Love, Broadway, Funny Girl, Hello Dolly!, Musicals, Passion, Theory and Practice
3 Comments
Defending Theory and Practice
Every now and then, I’ll get a nasty little message implying that discussions around musical theatre practice, debates around musical theatre terminology and so on are petty and worthless. Let me go on record saying that I do not think … Continue reading
Posted in Musicals, Theatremaking, Theory and Practice
Tagged Musicals, Theatremaking, Theory and Practice
6 Comments
Rhyme in Musical Theatre Lyrics
Here is an interesting question that I’d like people to consider: why do we expect musical theatre to make use of pure rhyme or celebrate lyrics that are crafted using pure rhyme more readily than those that employ other kinds … Continue reading
Posted in Musicals, Theory and Practice
Tagged Musical Theatre Practice, Musicals, Theatremaking, Theory and Practice
8 Comments
“Original” Musicals
As musicals based on movies become more and more frequently produced, discussions on musical theatre forums around the Internet regarding the lack of “original” Musicals” seem to become more and more prominent. Most people seem to forget, however, that truly … Continue reading
Posted in Broadway, Musicals, Theatremaking, Theory and Practice
Tagged Musicals, Shrek, Theatremaking, Theory and Practice
1 Comment
Musical Notes: 19 May 2010
Index Paradise Found at the Menier Chocolate Factory … p.2 Charles Strouse in Hospital … p.3 Reading of Alyss Cancelled … p.3 New Mamma Mia! Website Launched … p.3
Posted in Broadway, Classical Music, General News, Musicals, Off Broadway, Readings, Tours, West End
Tagged A.J. Shively, Adam Gwon, Alice in Wonderland, Alma Cuervo, Alyss, Amanda Kloots-Larsen, Annie, Autumn Hurlbert, Bailey Hanks, Bernice Bobs Her Hair, Blair Ross, Blake Whyte, Brian O'Brien, Broadway, Bye Bye Birdie, Cady Huffman, Carey Anderson, Casey Tuma, Charles Strouse, Daniel Marcus, Demi Fragale, Don Stephenson, Eamon Foley, Ellen Fitzhugh, Emily Loesser, Erin Mackey, F. Scott Fitzgerald, George Lee Andrews, Harold Prince, Henry Stram, Herndon Lackey, Irish Repertory Theatre, Jennifer Piech, Jim Poulos, Joe Calarco, Johann Strauss II, John Hickok, John Jellison, John McMartin, Jonathan Tunick, Judy Kaye, Julia Jordan, Kate Baldwin, Kevin Carolan, Lacey Kohl, Lindsay Nicole Chambers, Mamma Mia!, Mandy Patinkin, Marilyn Michaels, Mark Wilk, Martin Moran, Martin van Treuren, Matthew Hamel, Maury Yeston, Menier Chocolate Factory, Michael Mulheren, Morgan Karr, Musicals, Nancy Opel, Olli Haaskivi, Pamela Winslow Kashani, Paradise Found, Patrick Wetzel, Peter Stone, Phoebe Strole, Readings, Richard Nelson, Rick Hilsabeck, Robert Petkoff, Shuler Hensley, Susan Stroman, Tim Jerome, Titanic, West End, Zachary Prince
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Genres of Musical Theatre Redux: the 2010 edition
In a discussion around different kinds of musical theatre, I think the first step is to define the terrain of musical theatre. Musical theatre does not include all theatre that uses music. Musical theatre excludes – for example – opera, … Continue reading →