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Tag Archives: Herbert Fields
The Saturday List: Ranking Romberg’s Runners!
Step right up, music lovers, as we delve into the vibrant world of Sigmund Romberg’s timeless operettas! Continue reading
Posted in The Saturday List
Tagged Broadway, Carousel, Charles Purcell, Cole Porter, Currier and Ives, Dorothy Donnelly, Dorothy Fields, Frank Mandel, Herbert Fields, Julie Wright, Maytime, music, Musical, Old Heidelberg, Operetta, Oscar Hammerstin II, Otto Harbach, Peggy Woord, review, Rida Johnson Young, SIgmund Romberg, Steven Gaigle, The Desert Song, The New Moon, The Shubert Brothers, The Student Prince, The Whirl of the World, theatre, Up in Central Park, Wie Einst im Mai, Wilhelm Meyer-Förster
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The Saturday List: A Little Gwen Verdon, A Lotta Talent
Grab your jazz shoes and get ready to dance into the unparalleled brilliance of Broadway’s own dynamo, Gwen Verdon! Continue reading
Posted in Broadway, The Saturday List
Tagged Abe Burrows, Academy Awards, Ann Reinking, Anna Christie, Bob Fosse, Bob Merrill, Brecht, Broadway, Can-Can, Chicago, Chita Rivera, Cole Porter, Cy Coleman, Damn Yankees, David Shaw, Dorothy Fields, Douglass Wallop, Eugene O'Niell, Fred Ebb, George Abbott, Guys and Dolls, Gwen Verdon, Hans Conried, Herbert Fields, Jerry Ross, John Kander, Michael Kidd, Music Hall, Musical, Neil Simon, New Girl in Town, Oscar Hammerstin II, Redhead, Richard Adler, Richard Kiley, Richard Rodgers, theatre, Thelma RItter, West End
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Forgotten Musicals Friday: The Merely Marvelous REDHEAD
Join as us we delve into this week’s s forgotten musical: REDHEAD. Continue reading
Posted in Forgotten Musicals Friday
Tagged Albert Hague, Bob Fosse, Can-Can, Charlie Chaplin, Damn Yankees, David Shaw, Dorothy Fields, Flower Drum Song, Goldilocks, Gwen Verdon, Herbert Fields, Jack the Ripper, Keystone Cops, La Plume de Ma Tante, Madame Tussauds, New Girl in Town, Redhead, Richard Kiley, Salvatore Dell'Isola, Sidney Sheldon, Tony Awards, Whoop-Up
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Forgotten Musicals Friday: LIDO LADY
it’s time to take a look at another of the forgotten musicals created by Richard Rodgers and Lorenz Hart during the 1920s.This week it’s time to look over LIDO LADY. Continue reading
Forgotten Musicals Friday: THE GIRL FRIEND
If THE GARRICK GAIETIES, which was featured in last week’s Forgotten Musicals Friday, was an important stepping stone for Richard Rodgers and Lorenza Hart, THE GIRL FRIEND cemented them in the public consciousness of 1920s America. Continue reading
Forgotten Musicals Friday: DEAREST ENEMY
With a book by Herbert Fields, direction by John Murray Anderson, direction of the libretto by Charles Sinclair and Harry Ford and dance and ensemble direction by Carl Hemmer, DEAREST ENEMY ran for 286 performances. Continue reading
Posted in Forgotten Musicals Friday
Tagged Carl Hemmer, Charles Sinclair, Crazy for You, Dearest Enemy, Forgotten Musicals Friday, George Gershwin, Harry Ford, Herbert Fields, Ira Gershwin, John Murray Anderson, Lorenz Hart, Nice Work If You Can Get It, Richard Rodgers, The Garrick Gaieties
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Forgotten Musicals Friday: THE GARRICK GAIETIES
THE GARRICK GAIETIES was an important stepping stone in the career of Rodgers and Hart owing to its introduction (by Sterling Holloway and June Cochrane) of what was arguably their first runaway hit, “Manhattan”. Continue reading
Posted in Forgotten Musicals Friday
Tagged A Lonely Romeo, Arthur Sullivan, Benjamin Kaye, Calvin Coolidge, Dudley Digges, Edith Meiser, Herbert Fields, Howard Green, June Cochrane, Lorenz Hart, Mana Zucca, Morrie Ryskind, Philip Loeb, Poor Little Ritz Girl, Richard Rodgers, Sam Jaffe, Scopes trial, Sterling Holloway, The Garrick Gaieties, Theatre Guild
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