Daniel Radcliffe Takes a Stand Against Homophobia

Daniel Radcliffe has been vocal about his distaste for homophobia in the past, but now the star of the “Harry Potter” film franchise is gearing up to make a PSA speaking out against the matter and promoting the cause of gay suicide prevention. The actor, who recently participated in a reading of the musical How to Succeed in Business Without Really trying and is rumoured to be starring in a forthcoming Broadway revival of the show, said the following of his involvement in the PSA:

Well said, Mr Radcliffe! Here’s a transcription of his words in case this clip disappears, as is sometimes prone to happen on YouTube:

I grew up knowing a lot of gay men and it was just never something that I even thought twice about – that some men were gay and some weren’t…. I think it’s important for somebody from a big, commercial movie series like “Harry Potter” and particularly because I am not gay or bisexual or transgendered…. The fact that I am straight makes not a difference, but… it shows that straight people are incredibly interested and care about this as well… This is probably the thing I’m most passionate about.

The PSA that Radcliffe filmed is for The Trevor Project, a prominent organisation focused on crisis and suicide prevention efforts among lesbian, gay, bisexual, transgender and questioning youth. Find out how you can support them by visiting their site today.

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Casting for WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN Workshop

Women on the Verge of a Nervous BreakdownLincoln Center Theater has announced that a reading of the musical adaptation of Women on the Verge of a Nervous Breakdown, with workshops toward that end starting on 4 March.

According to Variety, Patti LuPone, Tom Hewitt, Sherie Rene Scott, Jessica Biel and Oscar Isaac have been contracted for the reading. Previous participants in readings of the show have included Paulo Szot, Joanna Gleason, Salma Hayek, Mia Maestro and Matthew Morrison.

None of the actors mentioned above has been officially cast in the forthcoming Broadway production; indeed no names have been announced to that end as of yet. It’s anyone’s guess who’ll end up playing Pepa and the range of colourful characters that inhabit the world of un ataque de nervios.

The show, which is based on Pedro Almodóvar’s 1988 film, has book and lyrics by Jeffrey Lane and music by David Yazbek and will be directed by Bartlett Sher. Women on the Verge of a Nervous Breakdown is aiming towards a November opening with previews starting on 2 October this year.

Purchases from Amazon.com

FROM LEFT TO RIGHT:
1. Women on the Verge of a Nervous Breakdown DVD.

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NIGHTMARE ALLEY…

Nightmare AlleyNow here’s a musical that sounds really interesting…

Nightmare Alley, based on a 1946 novel by William Lindsay Gresham, tells the story of Stan, a con turned carnie, who falls in love with Molly, the dark darling of the traveling carnival. Filled with freaks, geeks, lovers and fools, the show considers fate, free-will and the consequences that await when you make the wrong choice.

Set in the dark, shadowy world of a second rate carnival, the novel was the inspiration for a 1947 film featuring Tyrone Power and Joan Blondell.

Now, Jonathan Brielle has adapted it for the musical theatre stage and the new musical will receive its world premiere at the Geffen Playhouse in Los Angeles in April this year. Of his creation, Brielle says:

When I first read the novel, I was so struck by the question of how someone sinks so low as to become part of a carnival freak show that I felt the need to put this story to music. After working closely with the Gresham estate and in recent years collaborating with Gil, I feel like we are truly ready to raise the big top and watch these fantastic characters come to life in all their revelry and tragedy on the Geffen stage.

Directed by Gilbert Cates, the cast features James Barbour, Mary Gordon Murray, Larry Cedar, Michael McCarty, Melody Butiu, Leslie Stevens, Anise E. Ritchiem and Alet Taylor. It sounds like one to watch….

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LOVE NEVER DIES Previews Begin

Love Never Dies, the much anticipated sequel to The Phantom of the Opera, begins previews in London tonight, ahead of a March 9th opening. Just 2½ weeks to shape up the show into something that everyone involved hopes will be as enduring as its forerunner.

By now, most people know that the action of Love Never Dies takes place 10 years after the mysterious disappearance of the Phantom from the Paris Opera House. Christine Daaé accepts an offer from anonymous impresario to come to America and perform at New York’s fabulous new playground of the world – Coney Island. Arriving in New York with her husband Raoul and their son, Gustave, Christine soon discovers why she has been lured from France to sing.

The cast recording will also be released on 9 March and can already be ordered from Amazon. A deluxe edition, which includes a bonus DVD, with interviews (with Andrew Lloyd Webber, set designer Bob Crowley and the stars of the show) and filmed footage exploring the recording sessions in London, is available.

Purchases from Amazon.com

FROM LEFT TO RIGHT:
1. Love Never Dies Concept Album Cast Recording.
2. Love Never Dies Concept Album Cast Recording – Deluxe Edition.

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Longest Running Broadway Musicals

This is the list as it stands at present, with the shows that have moved up the list since last October in green.

1. The Phantom of the Opera – 9179 performances, still running
2. Cats – 7485 performances
3. Les Misérables – 6680 performances
4. A Chorus Line – 6137 performances
5. Oh! Calcutta! (Revival) – 5959 performances
6. Chicago (Revival) – 5508 performances, still running
7. Beauty and the Beast – 5461 performances
8. The Lion King – 5125 performances, still running
9. Rent 5124 performances
10. Miss Saigon – 4097 performances
11. 42nd Street – 3486 performances
12. Mamma Mia! – 3456 performances, still running
13. Grease – 3388 performances
14. Fiddler on the Roof – 3242 performances
15. Hello, Dolly! – 2844 performances
16. My Fair Lady – 2717 performances
17. Hairspray – 2641 performances
18. Wicked – 2614 performances, still running
19. Avenue Q – 2534 performances
20. The Producers – 2502 performances

You can find out more about many of the shows on this list by visiting the pages in the links bar above.

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LOVE NEVER DIES Rehearsal Photographs

Playbill has published three photographs from the rehearsals of Love Never Dies. Here’s just one, featuring Sierra Boggess and Ramin Karimloo with director, Jack O’Brien:

LOVE NEVER DIES Rehearsals

None is particularly enlightening. I wish there’d been a greater range of shots available.

Purchases from Amazon.com

FROM LEFT TO RIGHT:
1. Love Never Dies Concept Album Cast Recording.
2. Love Never Dies Concept Album Cast Recording – Deluxe Edition.

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WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN

Women on the Verge of a Nervous BreakdownDavid Yazbek’s latest adaptation of a movie for the musical theatre stage – he’s previously been responsible for the score of The Full Monty and Dirty Rotten Scoundrels – will be a reworking of the 1988 Pedro Almodóvar film, Women on the Verge of a Nervous Breakdown.

With a book by Jeffrey Lane, the musical tells the tale of a group of women in late 20th-century Madrid whose relationships with men lead to a tumultuous 48 hours of love, confusion and passion. The production has been developed in a series of workshops over the past year with input from Almodóvar himself.

Directed by Bartlett Sher, under the auspices of the Lincoln Center Theater, the show aims to start previews on 2nd October, with opening night set for November 4th at the Belasco Theatre on West 44th Street.

I know some will disagree, but I think Yazbeck is an interesting match for the material and discovering that Almodóvar himself has been involved in the workshops is certainly an intriguing tidbit. With this and Paradise Found on the cards already, this upcoming season is already looking more interesting to me than the current one as it draws to a close.

Purchases from Amazon.com

FROM LEFT TO RIGHT:
1. Women on the Verge of a Nervous Breakdown DVD.

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Official Casting News for PARADISE FOUND

The Menier Chocloate Factory has officially announced casting for the world premiere or Paradise Found and revealed a few new details about the plot. Kate Baldwin, John Cullum, Shuler Hensley and Judy Kaye will all join Mandy Patinkin in the show, which tells the tale of the Shah of Persia’s trip to Vienna with his Eunuch (Patinkin) in tow for some new adventures, during which the Shah (Cullum) promptly falls in love with the Empress of the Empire, much to the dismay of her husband, so a resident of the local brothel – who is a double for the Empress – is substituted for a night of passion. As it happens, she’s in love with a Baron, who’s having an affair with the Soap Manufacturer Wife.

It sounds a bit like A Little Night Music meets the Arabian Nights. It’s interesting, then, that the music for this will be provided posthumously by “The Waltz King” himself, Johann Strauss II, whose music for the show has been adapted and arranged by Jonathan Tunick, with lyrics provided by Ellen Fitzhugh.

With a book by Richard Nelson, based on Joseph Roth’s novel The Tale Of The 1002nd Night, the show will be co-directed by Harold Prince and Susan Stroman, opening for a limited run at the Menier Chocloate Factory on 19 May.

Purchases from Amazon.com

FROM LEFT TO RIGHT:
1. The Tale of the 1002nd Night by Joseph Roth.

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RIP Kathryn Grayson

Kathryn Grayson was an American actress, best known for her work in film musicals during the 1950s and on stage, mainly in opera, in the 1960s, although she certainly had a career in film and on television on either side of those two decades. Her best remembered films are probably the heavily criticized 1951 remake of Show Boat and the more popular film version of Kiss, Me Kate (1953). In the 1960s, she was a replacement for Julie Andrews in Camelot and starred in operas like as La Bohème and Madama Butterfly. Here is a clip from another of her films, Anchors Aweigh (1945), the “Waltz Serenade”:

Rest in Peace.

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A LITTLE (Parisian) NIGHT MUSIC

Yagg, a great French website devoted primarily to gay and lesbian media, has put up another video about the Parisian production of A Little Night Music, this time showcasing director Lee Blakeley’s thoughts about the Stephen Sondheim-Hugh Wheeler musical, Greta Scacchi – who looks a bit like Liz Taylor in the infamous film adaptation in her wig – and musical director Jonathan Stockhammer’s musings on the depth of the score.

Some clips from the production in the video make it seem rich in its imagery, but dissonant in its visual styles. I wonder how – or whether – it all ties together. However, it looks incredibly evocative and atmospheric and I’d love to see how it plays.

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