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May is a mad month. A month of random musings about various topics related to musical theatre. Feel free to share your thoughts on each topic in the comment box below.
The Best Disney Musical on Broadway
Seems like Disney’s having a tough time on Broadway. With many of their shows closed and some of their last couple of shows not being the long-running juggernauts they had hoped, Disney is currently involved in the production of only four shows on the Great White Way: Arcadia, The Lion King, Mary Poppins and Sister Act.
Arcadia is a revival of a play, so it is irrelevant to this discussion. Sister Act is newly opened on Broadway in a revised version, but I’m still not won over by the score of this show. Actually, I haven’t engaged with it in enough depth to make up my mind – although my initial reaction to the show has been less than positive. That leaves The Lion King and Mary Poppins.
Of those two shows, I’d say my vote would have to go to The Lion King. Although there are much more interesting shows on Broadway right now, the theatricality of The Lion King is worth seeing once in your lifetime. What Julie Taymor conceived in translating the show from film to stage is simply ingenious in some places. It’s a pity that the book and score don’t match her work for quality. Some people like to make out as though the show is a complete snoozefest after the brilliant opening number is done. It isn’t. It is true that the show has a hard time living up to the promise of its opening number and that there are many flaws: a lot of pure rubbish by Tim Rice and Elton John has been added to the show, which is unfortunate, and interval is in the wrong place. But there are other high points, like the second act encounter Simba has with the ghost of his father and “Shadowland” and many other little things, like the new Lebo M material. In those aspects, The Lion King expands on some of the strongest points of the film. I appreciated those bits immensely and I am glad that I saw the show once – even if I feel like I don’t need to see it ever again.
Mary Poppins, on the other hand, is a very mixed bag, with bits of fun thrown in here and there. The new songs simply aren’t as good as the old ones and some of the new arrangements for the old material just don’t measure up to the originals. Although trumpeted as being more faithful to the books, as though that alone were some kind of artistic triumph, what this adaptation forgets is that what works in a novel sometimes doesn’t work dramatically. Yes, some parts of the stage show are quirky and enjoyable. But other parts are just downright embarrassing, like the those awful, awful, awful costumes for the statues or the way that Mrs Banks has been totally watered down as a character. It’s a mediocre adaptation of a brilliant film. Such a pity.
Musical Cyberspace 