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Category Archives: Commentary
Second TANGLED Trailer
The second trailer for Disney’s Tangled has been released: All in all, this leaves me feeling better about the film than I did after the previous trailer. Although I’m still not won over by the look of the film as … Continue reading
Musical Comedy vs. Musical Play
Following my 2010 redux blog on “Genres of Musical Theatre“, I received a message from Hans Anders Elgvang, a regular visitor of this site, asking: ‘What are, in your opinion, the differences between the form categories musical comedy and musical … Continue reading
Posted in Commentary, Musicals, Theatremaking, Theory and Practice
Tagged Annie Get Your Gun, Anything Goes, Babes in Arms, Carousel, Crazy for You, Girl Crazy, Musical Comedy, Musical Plays, My Fair Lady, Oklahoma!, Ragtime, Silk Stockings, South Pacific, The King and I, Theatremaking, Theory and Practice, West Side Story
3 Comments
Genres of Musical Theatre Redux: the 2010 edition
In a discussion around different kinds of musical theatre, I think the first step is to define the terrain of musical theatre. Musical theatre does not include all theatre that uses music. Musical theatre excludes – for example – opera, … Continue reading
Posted in Commentary, Dance, Musicals, Plays, Revues, Theatremaking, Theory and Practice
Tagged Ballet, Bio-musicals, Burlesque, Concept Musical, Dance, Dramatic, Epic, Funny Girl, Gypsy, Jesus Christ Superstar, Jukebox Musicals, Lyric, Mamma Mia!, megamusical, Minimalist Theatre, Musical Comedy, Musical Play, Musicals, Opera, Operetta, Plays, Revues, Rock Opera, Theatremaking, Theory and Practice, Vaudeville
3 Comments
O/T: Brecht and Didactic Theatre
I was recently reading a rather mundane series of posts around the issue of adaptation at Musicals.net, which then delved into the realm of Bertolt Brecht and his vision of theatre. Here’s the bit that I found interesting: Hans wrote: … Continue reading
Posted in Commentary, Off Topic, Plays, Theatremaking, Theory and Practice
Tagged A Clockwork Orange, A Doll's House, Adaptations, Bertolt Brecht, Commentary, Epic Theatre, Mother Courage and her Children, Plays, The Caucasian Chalk Circle, The Lord of the Rings, Theatremaking, Theory and Practice
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Thoughts on THE BOYS IN THE PHOTOGRAPH
I went to see the 14:00 show Ben Elton and Andrew Lloyd Webber’s The Boys in the Photograph today. What follows are my thoughts on the show, a revised version of the 2000 musical The Beautiful Game. I shall also … Continue reading
Posted in Commentary, In Depth Analysis, International, Musicals
Tagged Andrew Lloyd Webber, Aspects of Love, Ben Elton, Carly Graeme, Carousel, Celeste Botha, Gareth Worth, Janice Honeyman, Johan Engels, Oscar Hammerstein II, Richard Rodgers, Tammi Meyer, The Beautiful Game, The Boys in the Photograph, Whistle Down the Wind
2 Comments
Deconstructing Disney: AIDA Part 5
This is Part 5 in a series of posts that examines Disney’s Aida in detail. Aida has a book by Linda Woolverton, David Henry Hwang and Robert Falls, lyrics by Tim Rice and music by Elton John. Act 1 Scene … Continue reading
Deconstructing Disney: AIDA Part 4
This is Part 4 in a series of posts that examines Disney’s Aida in detail. Aida has a book by Linda Woolverton, David Henry Hwang and Robert Falls, lyrics by Tim Rice and music by Elton John. Act 1 Scene … Continue reading
PROMISES, PROMISES Opening Night
Rob Ashford’s Broadway revival of Promises, Promises, starring Sean Hayes and Kristen Chenoweth, opens on Broadway tonight. here are some clips from the show to celebrate the event: I think the show promises pretty good things in terms of its … Continue reading
Posted in Broadway, Commentary, Musicals
Tagged Broadway, Commentary, Kristen Chenoweth, Michael Bennett, Musicals, Promises Promises, Revivals, Rob Ashford, Sean Hayes, YouTube
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A TANGLED Song
We’re now able to hear one of the Alan Menken/Glenn Slater songs from Disney’s Tangled Rapunzel project: I’m not really sure what to make of it. It’s a sweet song, but I don’t get the stylistic link between the song … Continue reading →